Tiffany Stained Glass Windows
These windows which adorn the sanctuary were made in the New York studio of the renowned glass artisan Louis C. Tiffany in 1915.The Rose and Lancet Window is produced without the aid of painting. Many layers of glass are put together to create the illusion of depth. The mottled effect in the glass and the actual folding of glass for leafy foliage is predominant in this window. |
The Rose Window |
“The Angel” Window, in memory of Maria Swift Dana, 1845-1912, also utilizes the folding glass technique in the gown as well as in the angel’s wings. The only additional decoration is the painting of the face, arms, and feet. The painting is done internally within the window structure. | |
“The Good Shepherd” Window, in memory of Elizabeth Ruffner Comstock and Luious L. Comstock, also shows the folds of glass in the clothing of the shepherd and the young shepherd boy. The controlled flow of colors within the glass, with many layers to create depth as well as intensity of color is see in the foliage of the trees. The only painting done on this window is in the faces and arms. The painting is done on the outside. | |
“The Good Samaritan” Window, in memory of Joseph Marshall Staunton, is done without any painting at all. The faces are controlled flows of colored glass with special effects greeted in the facial lighting and in the cup of water. | |
“Lo, I Am With You Always” , in memory of Rev. Hugh Wallace Torrence, has deep somber tones of glass forming the sky, clouds, and garment. The face and hands are controlled flows of glass. |
These windows are registered with the Morse Gallery of Art in Winter Park, Florida. These windows represent some of the finest ecclesiastical art of any period in America. |
Willet Stained Glass Windows
The Henry Lee Willet studios of Philadelphia installed six stained and leaded glass windows in KUPC in March of 1966.Tiffany was a proponent of the “American Opalescent” school of stained glass, which has a milky quality that does not transmit light as Willet windows do. About 80% of the glass in the Willet windows is from Blenko. At the time, Ruby glass was not available in the United States because the government would not release the gold necessary to produce the ruby-colored glass. This was therefore bought in England. |
The Ministry of Christ”, In memory of Dr. and Mrs. Andrew McMillan, given by Mr. and Mrs. W. Owen McMillan, Mr. and Mrs. T. Harvey McMillan, and Mr. and Mrs. J. Osler McMillan.
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“Nativity”, in memory of Mr. and Mrs. Frederick M. Staunton, given by Mrs. C. Staunton Hill.
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“Discipleship”, in memory of Edward Wilber Staunton, Florence Buffington Merrill, and Rhuel Hampton Merrill, given by the Staunton and Merrill Families.
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“The Great Commission”, in memory of Mr. and Mrs. Walter E. Clark, given by Mrs. Juliet Clark Alexander, Mr. Buckner Clay, Mr. Lyell Clay, and Mr. Fred M. Staunton.
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“Transfiguration”, in memory of Mr. & Mrs. G. Bernard Gates, given by Mr. Charles B. Gates.
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“Christ, The Physician of Soul and Body”, in memory of Mr. Henry Larkin Terrie, given by Mrs. Henry L. Terrie.
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Additional Stained Glass Windows
There are several other stained glass windows in the Church.Upon entering through the main front doors, one is greeted by what may be two more Willet Windows. The one in the West Vestibule entitled “Come Unto Me” is in memory of Lucy Brown Barber and Timothy Lawrence Barber. The Window in the East Vestibule, with two coats of arms, is in memory of Ralph Nelson Shepard and Arnold Appleton Barnes.Upon entering from the side entrance, one encounters a window which also appears to be a Willet Window, which is in memory of Susan Porter Miner.Further to the South in what is now the office of the Administrative Assistant are two beautiful “Art Glass” windows, without title or annotation.
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